Music for Sunday, September 28, 2008

20th Sunday after Pentecost, Year A
Proper 21 (26) - Ordinary Time

Exodus 17:1-7
Psalm 78:1-4, 12-16 (UMH 799)
Philippians 2:1-13
Matthew 21:23-32

What will your congregations and choirs be singing? What will you or your other instrumentalist(s) be playing?

Please share your thoughts, plans, pleas for help, bright ideas, and anything else that might encourage us all to excellence in making music to the Most High!

For a display of the Scripture texts, as always, I recommend the Vanderbilt RCL resource for this week. It can be found here.

Music for Sunday, September 21, 2008

19th Sunday after Pentecost, Year A Proper 20 (25) - Ordinary Time
Exodus 16:2-15
Psalm 105:1-6, 37-45 (or Psalm 78) (UMH 828, UMH 799)
Philippians 1:21-30
Matthew 20:1-16

What will your congregations and choirs be singing? What will you or your other instrumentalist(s) be playing?

Please share your thoughts, plans, pleas for help, bright ideas, and anything else that might encourage us all to excellence in making music to the Most High!

For a display of the Scripture texts, as always, I recommend the Vanderbilt RCL resource for this week. It can be found here.

Music for Sunday, September 14, 2008

18th Sunday after Pentecost, Year A
Proper 19 (24) - Ordinary Time

Exodus 14:19-31
Exodus 15:1b-11, 20-21 (UMH 135)
Romans 14:1-12
Matthew 18:21-35

What will your congregations and choirs be singing? What will you or your other instrumentalist(s) be playing?

Please share your thoughts, plans, pleas for help, bright ideas, and anything else that might encourage us all to excellence in making music to the Most High!

For a display of the Scripture texts, as always, I recommend the Vanderbilt RCL resource for this week. It can be found here.

Music for Sunday, September 7, 2008

17th Sunday after Pentecost, Year A
Proper 18 (23) - Ordinary Time

Exodus 12:1-14
Psalm 149 or Psalm 148 ( for UMs, that's UMH861 in the Psalter)
Romans 13:8-14
Matthew 18:15-20

What will your congregations and choirs be singing? What will you or your other instrumentalist(s) be playing?

Please share your thoughts, plans, pleas for help, bright ideas, and anything else that might encourage us all to excellence in making music to the Most High!

For a display of the Scripture texts, the most excellent Vanderbilt RCL resource for this week can be found here.

Music for Sunday, August 31, 2008

16th Sunday after Pentecost, Year A
Proper 17 (22) - Ordinary Time

Exodus 3:1-15
Psalm 105:1-6, 23-26, 45c (for UMs, that's UMH 850 in the Psalter)
Romans 12:9-21
Matthew 16:21-28

What will your congregations and choirs be singing? What will you or your other instrumentalist(s) be playing?

Please share your thoughts, plans, pleas for help, bright ideas, and anything else that might encourage us all to excellence in making music to the Most High!

For a display of the Scripture texts, the most excellent Vanderbilt RCL resource for this week can be found here.

Music for Sunday, August 24, 2008

15th Sunday after Pentecost, Year A
Proper 16 (21) - Ordinary Time

Exodus 1:8 - 2:10
Psalm 124 (for UMs, that's UMH 846 in the Psalter)
Romans 12:1-8
Matthew 16:13-20

What will your congregations and choirs be singing? What will you or your other instrumentalist(s) be playing?

Please share your thoughts, plans, pleas for help, bright ideas, and anything else that might encourage us all to excellence in making music to the Most High!

For a display of the Scripture texts, the most excellent Vanderbilt RCL resource for this week can be found here.

Music for Sunday, August 17, 2008

14th Sunday after Pentecost, Year A
Proper 15 (20) - Ordinary Time

Genesis 45:1-15
Psalm 133 (for UMs, that's UMH 850 in the Psalter)
Romans 11:102a, 29-32
Matthew 15:(10-20) 21-28

What will your congregations and choirs be singing? What will you or your instrumentalist(s) be playing?

Please share your thoughts, plans, pleas for help, bright ideas, and anything else that might encourage us all to excellence in making music to the Most High!

For a display of the Scripture texts, the most excellent Vanderbilt RCL resource for this week can be found here.

Music for Sunday, August 10, 2008

13th Sunday after Pentecost, Year A
Proper 14 (19) - Ordinary Time

Genesis 37:1-4, 12-28
Psalm 105:1-6, 16-22, 45b (for UMs, that's UMH 828 in the Psalter)
Romans 10:5-15
Matthew 14:22-33

What will your congregations and choirs be singing? What will you or your instrumentalist(s) be playing?

Please share your thoughts, plans, pleas for help, bright ideas, and anything else that might encourage us all to excellence in making music to the Most High!

For a display of the Scripture texts, the most excellent Vanderbilt RCL resource for this week can be found here.

First Sunday in Advent

My format for this Advent season will be to list the readings for each Sunday, along with a hymn for the day, then refer to the previous Sunday's readings with meditations throughout the week. This was a blessing to me last year and I trust it will be again. If you find blessing from it, my joy will increase.

For the full texts, visit the Vanderbilt Divinity Library's Lectionary page for this Sunday's readings here.

Old Testament: Isaiah 2:1-5
Psalm: Psalm 122:1-9
Epistle: Romans 13:11-14
New Testament: Matthew 24:36-44


Wake, Awake, For Night Is Flying
Text: Philipp Nicolai, 1599; tr. Catherine Winkworth, 1858
Commonly sung to WACHET AUF, Nicolai, 1599; harm. by J. S. Bach, 1731.

For more information and/or to listen to the tune, visit the Cyberhymnal.

Wake, awake, for night is flying;
The watchmen on the heights are crying:
Awake, Jerusalem, at last!
Midnight hears the welcome voices
And at the thrilling cry rejoices;
Come forth, ye virgins, night is past;
The Bridegroom comes, awake;
Your lamps with gladness take;
Alleluia! And for His marriage feast prepare
For ye must go and meet Him there.

Zion hears the watchmen singing,
And all her heart with joy is springing;
She wakes, she rises from her gloom;
For her Lord comes down all glorious,
The strong in grace, in truth victorious.
Her Star is risen, her Light is come.
Ah come, Thou blessèd One, God’s own belovèd Son:
Alleluia! We follow till the halls we see
Where Thou hast bid us sup with Thee.

Now let all the heavens adore Thee,
And saints and angels sing before Thee,
With harp and cymbal’s clearest tone;
Of one pearl each shining portal,
Where we are with the choir immortal
Of angels round Thy dazzling throne;
Nor eye hath seen, nor ear hath yet attained to hear
What there is ours, but we rejoice and sing to Thee
Our hymn of joy eternally.

This 'n' That

I'm finally back to the blog. We hit a very busy spot at church and the day job got rather intense at about the same time. But good things have happened and continue to happen--and I pray that in one particular respect, will yet happen.

On that last point, I learned Tuesday afternoon that my day job boss lost his job. I learned this when the HR director informed me I would not be needed the rest of the week, as the company re-thinks the direction for the IT department to go. So although the acting IT director has emphatically told me that he considers my work essential and absolutely needs me back, it remains to be seen if he has any clout to make that happen. So I've been updating my resume and getting back into the job-hunting groove. I'm praying that they DO want me back--the work was ideal for my (non-church) gifts and I've enjoyed it. But I wish I had the nerve to tell them that any IT department needs at least one administrative support individual--one who's not merely temporary--and if they offer me the job as an employee, I'll take it (but not a temp assignment). I'll know what's right, when and if this or any other assignment is offered. But I *do* need to work; there's that ridiculously over-priced car that needs to be paid for and a pair of feline despots who loudly demand food in their bowl each morning.

But...on to more certain and uplifting things!

We dedicated our new piano and a number of other worship/sanctuary items last Sunday. The service was wonderful and a number of people reported having worshiped as never before. Every musical group in the church was represented, as we combined elements of a dedication recital with the service itself. Sister Pianist outdid herself! She and I played a treatment of "Ode to Joy" as the postlude (I on violin), and while my playing was not flawless, I think it went all right. The children sang like angels while Sister Pianist played Fred Bock's (otherwise rather trite) Clair de Lune/Jesus Loves Me. Our opening hymn was "When In Our Music God Is Glorified," with a handbell duet team playing the melody each verse while I added violin for the first and last verse. A male soloist sang a beloved solo from a years-ago cantata--he's my male adult assistant in children's choir, and the children swarmed him with compliments at their rehearsal later that afternoon (an echo of the way he compliments them each time they sing). Two of our liturgical dancers, accompanied by our early service music team of three singers, piano, and guitar, presented a stunning interpretation of "Above All." We had a lay reader who has a very dramatic style, read Psalm 8, from which we went directly into Fettke's "The Majesty and Glory of Your Name"; the final alleluias were all I could have hoped for from our 21 voices.

No, for the most part we weren't very "high church"; we're never very high church! But it was our best, and for our informal little (?) church, it was a once-in-a-lifetime event. We dedicated a grand piano, a Paschal/Advent candlestand (handmade by a member and GORGEOUS), an equally gorgeous handmade handrail recently installed in the choir loft for the singers' safety (made by a different talented member), new worship banners, our recently purchased choir robes, and the beautiful choir stoles made by one of our choir members. The service was followed by a catered lunch in honor of all church volunteers, with a "fair" for people to see the various ministries of the church for which we can volunteer in the coming summer and school year. A great day, great worship, and a great coming together of the generosity and creativity of our congregation!

This was two weeks after our chancel choir presented Benjamin Harlan's "Wondrous Love" as the Scripture and proclamation. Cantatas can be musical hack jobs, but I highly recommend Harlan's remarkable cantata. He had an unusally well-written, effective narration that drew the congregation into the Mark version of the Passion and Resurrection. The choir and our two narrators (latter deliberately chosen because they're twenty-something, an age group we tend not to hear from too often in our congregation but which is growing in number and faith in our church) did a fantastic job. One of the good things about "Wondrous Love" is that it doesn't force a church choir to try to sing "pop" style. The sheer number of familiar, yet not over-sung, hymns makes it very unusual in its genre. I've heard from several people that members of the congregation were singing along on a few of the songs! When debriefing the choir the next Wednesday, the consensus was that it was their favorite of any cantata they've ever sung, mainly because it wasn't "pop." They don't do "pop" very well, and they know it. And I couldn't be happier with that state of affairs! So on my to-do list is a letter of thanks to Dr. Harlan, which will include encouragement to keep writing things like this. We smaller, "legit" choirs have too few extended works that we can do with integrity and confidence. The worship of God deserves such music.

And the next week, our school-age choir was the service choir. They do this once each year and it is a huge deal for them. They sang Natalie Sleeth's "Feed My Lambs," just about perfectly. They behaved beautifully, even sitting and listening attentively to the guest pianist's postlude (Sister Pianist was away for the weekend). They understood that being in the choir loft meant that they were worship leaders for the morning and they stepped up to the challenge and did very well. I am VERY proud of them!

One more "big" thing still remains for me this spring: our annual Children's Choir Concert, scheduled for this Sunday. It's not a huge deal; all the music is the children's favorites from this choir year. It's fun, also, because we demonstrate a few of the things the congregation never sees/hears: from "Nancy the Gnat" (a little game the younger children and I play to get them to stretch their voices and learn control over pitch and volume) and "The Silly Song" (the children have the length of the song--sung to the tune of "Polly Wolly Doodle"--to be as silly and wiggly as they wish, then the "sillies are gone now") to all the verses and motions to the "Austrian Yodeling Song" (this year complete with Tyrolian hats), the concert is a celebration of many of the things we do to help the children grow in their knowledge and love of music and worship. I'm always delighted by the number of people who attend who have no children, grandchildren, nieces, or nephews in the children's choirs. This church loves their children. (So do I!)

Then it's a matter of crating the handbells to send them off for reconditioning, getting ready to welcome special Sunday choirs (men for Mother's Day and women for Father's Day) and volunteer groups to sub for the choir during their July off (and arrange for two volunteer directors for the two weeks I'm taking off), and enjoy not spending 13+ hours at church on Sundays during the summer. I'm tired, and I'm ready for a little change of pace. I'm thinking about seeing if I could visit a couple of the Texas Rev Gals' churches on those weeks off. (Hint, hint)

So that's all the news that is news in Psalmist-land, where all the members are loving, all the children are angels, and all the singers are WELL above average.

A Musical Journey to Easter

Dear readers,

This has been a blessed week. At every point, the week has been marked by powerful music. Here is a re-tracing of the steps we took together at my church.

Hosanna! Blessed is He who comes in the name of the Lord! We sang "Hosanna, Loud Hosanna" as our opening hymn on Palm/Passion Sunday while the children waved palm branches. The choir sang the "Palm Processional" from our upcoming cantata (April 15), Benjamin Harlan's "Wondrous Love" (the movement combined "Hosanna, Loud Hosanna" and the refrain from "The Holy City"). After our pastor guided us scripturally from the palms of Sunday to the Friday cries of "Crucify him!", we closed the service with "Jesus, Keep Me Near the Cross."

Thursday we gathered again for Maundy Thursday communion, with our "informal service" music group (minus our lead singer, whose husband suffered a heart attack on Wednesday--doing well, praise God) singing "The Wonderful Cross" and our pianist providing exquisite communion musical meditation. The service ended with the hymn, "Go to Dark Gethsemane," as we did a ceremonial removal of Lenten purple and draped the communion table cross in black.

Our Good Friday was an evening service, so the sanctuary was fully draped in black. We have a very large central wooden cross on the front chancel wall, over which was displayed a black banner with a stark silver-gray outline of the suffering Savior in crown of thorns. It was visually stunning. We had diminished lighting and seven votive candles on the draped communion table, which were distinguished one by one during the final Scripture reading. Earlier readings were punctuated with several hymns, including "Let All Mortal Flesh Keep Silence" and "Jesus, Remember Me." The choir sang a dramatic piece by Don Besig and Nancy Price, "Within the Shadow of the Cross." The opening verse was done as a solo by a nearly ten-year-old girl, who sang absolutely perfectly (we were very proud of her; it was only her second time to sing a solo in public). The her solo's final phrase, "A little child, like me," which was echoed by the choir at the end of the piece: "A child of God, like you and me." The entire congregation filed out as we sang, "Were You There?" and gathered (shivering) on the sanctuary porch, where the pastor chained and padlocked the doors until Easter morning.

During the Easter Vigil, we offered a Catacombs service. The pastor and I were not actually in attendance, though we were able to listen at a distance. The simulation is that the church leaders had been arrested and all printed resources destroyed by "the authorities" who had declared Christian gatherings--and the faith itself--illegal. Those who attended this service had a combination of worship and discussion focused around how to keep the faith alive amidst persecution, when the only worship and study resources are the memories of the saints. We listened as the group of twenty or so people sang hymns of their own choosing ("Amazing Grace," "Jesus, Remember Me," "I Love to Tell the Story," and "Jesus Loves Me"), shared various memorized Scripture passages (including the 23rd Psalm and John 3:16-17), and recited the Apostles' Creed together. Testimonies were shared. There was excellent discussion about the difference between what Americans tend to call "persecution" and true persecution of faithful Christians. After 50 minutes, the "lookout" (pastor) gave a signal door knock to warn that the "patrols were on their way into town," and after closing with a prayer circle and ending with the Lord's Prayer, the group dispersed by ones and twos to return home.

I was still at church, working on final details for this morning's services, when the final scheduled on-site vigil prayer partner, a high school senior boy, finished his "shift" at midnight. He knocked at the office door to tell me he was leaving. I wished him a happy Easter and told him I'd see him later in the morning. He smiled as he realized it was technically a few minutes into Easter morning, and made my whole day by offering me the ancient greeting: "He is risen!" Of course, I replied, with joy in my heart, "He is risen indeed!"

Our liturgical dance group presented the sunrise service, which was once again reluctantly moved indoors because of our area's snow storm (no lie!) much of the day yesterday. It was near freezing this morning; in our part of Texas, that's not considered "outdoor weather." It is done entirely by school-age children and junior and senior high youth. They re-enact the entire passion and resurrection story in their unique combination of dance and American Sign Language. It is stunningly beautiful. As the Lord Jesus (one of my youth handbell ringers) was taken down from the cross and cradled by his mother (a high school girl), there was no one I could see who was not in tears. They perform to recorded music, which included
"Via Dolorosa," "At the Foot of the Cross," and "Was It a Morning Like this," among several other pieces.

We broke "new" ground with our informal group at the 9:00 service. We have had only piano/keyboard accompaniment until about a month ago, when a good guitarist joined us. Still, this means we don't have a complete rhythm section for the more energetic songs we do. Nevertheless, we presented a passable rendition of "My Redeemer Lives" this morning, greeted by more enthusiastic "Amens" than normal. People sang the chorus (many times) with gusto. (Though this is far from a favorite of mine, there's something to be said for people singing "My Redeemer lives! My redeemer lives!" with conviction.) At both the 9:00 and 10:45 services, the pastor preached on 1 Corinthians 15, focusing on "if" Christ had not been raised from the dead and looking at the reliable evidence passed on to us of the resurrection of Jesus Christ. We were challenged both to believe the evidence we have received, and to testify to our own experience of the risen Christ in our own lives. Powerful!

At the late service, our handbell choir rang "Come Ye Faithful, Raise the Strain," which is one of the best efforts we've had all year. They also rang on the first hymn, "Christ the Lord is Risen Today." The children of the church, including several of the many young guests we welcomed today, sang "He Is Exalted" and did a superb job. I've "come around" on the appropriateness of "In the Garden" at Easter; this is our prayer hymn through the rest of April. The choir took it a little easy, given our scheduled cantata next week, and sang Hal Hopson's arrangement of a William Boyce work, which Hopson calls "Let the Praise Go 'Round" (actually, it consists of a three-part canon to the primary text of "Hallelujah," which made it very appropriate for Easter). We closed with one of my personal least-favorite Easter hymns, "He Lives," but here again, it's hard to argue with "He lives...you ask me how I know...he lives within my heart."

Bells. Children's voices. Piano. Keyboard and guitar. Choral music. Enthusiastic hymn singing (we ARE Methodist!). All in worship of the One who suffered, died, and rose from the dead, for us.

Christ is risen, indeed! Hallelujah!

Lent: Day 28

"Refiner's Fire"

Text and music: Brian Doerksen

I appreciate this simple song from the contemporary worship tradition. You can read the full lyrics and listen to it (and buy the Vineyard album) here.


Refiner's Fire, my heart's one desire
Is to be holy, set apart for You, Lord.
I choose to be holy...

Lent: Day 10

Shepherd Me, O God

Text and Music by Marty Haugen, paraphrasing Psalm 23

What would Lent be without at least one reflection on Psalm 23? One of the most profound settings of this psalm, for me, is Haugen's "Shepherd Me, O God." It is written, as many of Haugen's GIA settings are, in a cantor verse/congregation refrain pattern. The refrain goes:

"Shepherd me, O God,
Beyond my wants,
Beyond my fears,
From death into life."

The "bridge" verse goes like this:

"You have set me a banquet of love
In the midst of hatred,
Crowning me with love
Beyond my pow'r to hold."

You can listen to "Shepherd Me, O God", and purchase it in MP3 format, here.

If you're unfamiliar with the GIA liturgical music tradition, I encourage you to do some reading of their many fine examples of scripture-made-song. Though Haugen's is one of the "biggest" names in this tradition, he's by no means the only one. An entire generation of Catholics and other Christians (who are open to ecumenical use of these fine resources) have experienced the Scripturesin a new, approachable way, thanks to GIA's publishing of these composers' and hymnists' creations. It's probably the most effective modern phenomenon in the psalm-singing tradition.

Advent, Week 2: Thursday

Recommended readings from the second Sunday of Advent (from the Revised Common Lectionary):

Malachi 3:1-4
Luke 1:68-79
Philippians 1:3-11
Luke 3:1-6

I'm not feeling well this morning and the creative juices just aren't flowing. Since I have to leave soon for work, I thought I'd just post a link to a song that fits well with this past Sunday's Old Testament lesson, called "Refiner's Fire," by Brian Doerksen. It's one of the better worship songs out there, in my opinion. It's my prayer today.

http://www.growingchristians.org/mfgc/light/RefinersFire.html

"I choose to be holy..."

Advent, Week 2: Sunday - Tuesday

Recommended readings from the second Sunday of Advent (from the Revised Common Lectionary):

Malachi 3:1-4
Luke 1:68-79
Philippians 1:3-11
Luke 3:1-6

I have a few minutes before a church event this evening. I was reading at my friend Dr. Platypus's blog just now, which sparked inspiration for a catch-up post here at my own. (Sunday was our choir cantata and we're on the one-week countdown for the children's program next Sunday--what little time I've had to blog, I haven't had a single coherent thought! So thanks, Dr. P.!)

I used to love singing in my home church's folk choir. One of the songs we'd sing at this time of year was "Mary, Mary, what you gonna name that baby?" It's an Avery and Marsh collaboration, and strangely enough I can't find any online source so that I can post a link to the full text. But perhaps a brief description will give you the gist.

It's in the key of D minor and has a fairly slow, almost African-American spiritual style. The refrain consists of the title line, followed by "What you gonna call that holy baby?" Then four verses follow, most effectively sung by four different soloists, who in turn describe themselves us all as sheep looking for someone to guide them, as slaves needing a master, as hungry and poor and needing to be saved, and kings needing to be ruled. Then, following a voiced "Shhh," the full group agrees with the soloist, "Why don't we call him Shepherd/Lord/Savior/King?"

We sang the only choir arrangement of this song I know of, this past Sunday morning with my choir. It was part of an Advent service that was part cantata, part lessons and carols format. The late Lloyd Pfautsch arranged it, which is quite remarkable; Dr. Pfautsch, who was professor of choral conducting at SMU and a preeminent sacred choral composer, wasn't exactly the "folk choir" sort. But it is a nice little arrangement, which I was proud of my choir and our four soloists for presenting so well.

Mary named her baby "Jesus," the one who saves. As Emmanuel ("God with us"), he truly is our Savior, Shepherd, Lord, and King. As I review the many names of Jesus, I marvel at how he meets each of us where we are and how we need him, if we truly seek him.

Dr. P. wrote about "Mary, Did You Know?" on his blog. I don't think Mary could have known all that her coming Baby would become. But I rejoice in her "Yes!" to God's plan, in the birth of her son Jesus, and in what he means to me and to us all.

Come to my heart, Lord Jesus; there is room in my heart for thee.

Fast Away the Old Year Passes: Advent Begins Tomorrow

First Sunday of Advent

Recommended reading (from the Revised Common Lectionary):

Jeremiah 33:14-16
Psalm 25:1-10
1 Thessalonians 3:9-13
Luke 21:25-36

I love this icon! It reminds me that the Lord Jesus Christ is not "real" to some people, because they haven't yet experienced his presence within them. During this season of Advent, we prepare for all three comings of the Christ: into human history in human form, in final victory, and his continual coming into the human heart, to be born in each of us.

Just wishing doesn't make it so. Christ does not force his way into a life crammed full of lesser things. Advent is a kind of "house cleaning," of making room for the One who is Life itself to us.

This week's Lectionary readings, particularly the Gospel reading, deal with the signs of Christ's coming. While the Christina Rossetti text "Love Came Down at Christmas" is not primarily an Advent text, I believe it fits especially well this first Sunday of the year:

Love Came Down at Christmas

Love came down at Christmas,
Love all lovely, love divine;
Love was born at Christmas,
Star and angels gave the sign.

Worship we the Godhead,
Love incarnate, love divine;
Worship we our Jesus:
But wherewith for sacred sign?

Love shall be our token,
Love be yours and love be mine,
Love to God and neighbor,
Love for plea and gift and sign.

Happy New Year to all, and a blessed Advent to you!